Category: Approach

The New Style

By Merritt Gade, August 28, 2010 2:19 pm

This design is an idea I’ve had in my head for a while, but have only attempted a couple of times. Each time I’ve made a pair and gave them a do-people-like-this test run at a show, the earrings sold right away. So, I should have made more immediately, right? No. I felt like each time I made them, getting the matching, glorious symmetry correct was a lucky, stressful task and making them lovely again would be impossible. And all my dreams would be destroyed.

Gold & Amethyst

As a goal for my Fashion Week showcase, I made myself get good at repeating the process and refined the rules that make the design strong as well as interesting.  Trying usually equals succeeding, and in this case, “usually” is eliminated.  I can make, enjoy, and repeat, and not have to think about it all the time any more.

Gold & Green

One Year of This

By Merritt Gade, June 9, 2010 3:30 pm

It’s been one year of blogging for me!  I’ve learned a lot about a lot, but still haven’t learned to love writing.  I’m not as scared or intimidated as when I first started, but it’s still not natural to put genuine thoughts and feelings out in a genuine way.  My favorite posts to write are about upcoming events or new pieces I’m working on, which are usually very much in the realm of technical and factual.    I do like to feature other crafters, although I feel like I don’t do their work, or coolness as people, justice.  I can dare to get more expressive about someone else’s work; however, there’s still very little Salman Rushdie flourish.

I’ve made blogging a somewhat regular habit, though, and it feels important to me for some as-of-yet-unidentified reason to keep on keepin’ on.  More on that later, I suppose.

If I’m not too unsure of putting my feelings into written form.

And I’m especially flourishy that day.

Maybe.

Custom Bridal Work! A small step in the big dream.

By Merritt Gade, June 3, 2010 4:26 pm

I have been focusing on jewelry for the past year and a half, but my not-so-secret passion lies in making tiaras, hair picks, and anything super fancy for special occasions.  I just love love love pearls, gemstones, gold, platinum, silver, all of it.  I always have.  Growing up, I cut out pictures of high-end jewelry from catalogs and mailers and glued them to all manner of dress-up props.  I collected costume jewelry and wore all of it at once.  I buried treasures in order to find them again and feel the renewed glee of the first glance at a bracelet’s sparkle or gem’s depth of color.  I’ve devoured more books about crown jewels than any normal person should.

My lust for the subject paired with my knack for working with hand tools created my very first tiara.  That, and a conversation with my cousin (Hi, Jill!) about one-of-a-kind versus generic-and-gross weddings.  Over the years, I’ve found the exploration of the subject using materials I could afford and tiny work spaces I was dealing with to be quite satisfying.  I can honestly say that my tiaras are unique and totally of my own design.  They’re inspired by what I’ve seen, but they’re built using the resources available to me and with my own way of crafting.  I love the unique architecture that goes into a tiara–so delicate yet strong, so over the top yet completely purposeful, and so many, many ways to personalize.

Recently, I was contacted by a bride-to-be asking if I could make a piece for her very special day.  She wanted a hair vine–a long, wire-twisted tendril with beads and sparkles, usually wrapped or pinned through a more loose and natural hair style.  She saw my work in my Etsy shop and thought I might be the right person to attempt her wish.  She emailed me the one tiny picture she had of what she was looking for and a description of her overall goals for the end product.  The inspiration vine was silver with clear or white glittery pieces and some tiny leaf- or feather-like adornments.  I did a little research to find more pictures of the same or similar hair vine, but didn’t discover much.  I knew I would have to invent my own way of doing it anyway, so I just kept the tiny picture in mind and tried to focus on my own vision.  We were communicating completely by email (she lives in Brazil), so we clarified and solidified details, I set a time line to keep our communication clear and moving, and I started in.

I located a few silver leaf-shaped bead options for her to choose from (she picked my favorites) and gathered some round, white pearls, clear Swarovski crystals, and quite a few feet of 26 gauge sterling silver wire.  Having never made a hair vine, I was a little nervous, but I got over it pretty quickly after doing a few practice lengths in junk wire.  I found that reshaping the leaves made for more graceful lines and kept the spacing of each small shoot off the main vine a pleasing and consistent distance from the next.  It took a few hours to get the whole 15.25 inches completely wrapped and another 30 minutes to tweak each tiny tendril into a more organic and flowing line.

I am pleased with the results and, most importantly, the bride was ecstatic!  I sent her some pictures to approve before officially posting it to Etsy, and all of the sentences in her reply ended with exclamation points.  She’s going to send some photos of it in action, which I can’t wait to see.  I’m tickled that I made my first hair vine as well as completed my first online custom bridal piece.  I can’t wait to do more!

Half Cascade Style

By Merritt Gade, March 30, 2010 10:27 am

The Cascade Style of earrings is one of my oldest designs.  I love to make them and love to figure out new combinations of metals.  They are one of my best sellers, especially the solid silver or solid gold.  They are also kind of big, like most of my earrings.

In an effort to offer smaller options, I came up with the Half Cascade Style.  I like them plain and kept a pair of these gold ones for myself.

My obsession with these hematite star beads hasn’t let up.

First Show of 2010

By Merritt Gade, February 25, 2010 12:03 pm

It’s been just over 2 months since I’ve stood outside and sold my goods to strangers, but it truly feels like eons.  I’ve forgotten so many things about the process of getting ready.  For example, I completely forgot about the slight nerves I get a few days in advance of a new show.  The unknown in general is something of a fidget-maker for me, but being on display and asking people to love me with their hard earned cash can be flat out nauseating.  (I’m getting better at not being so emotionally attached to my work, but still, I spend a lot time and effort on each item and it just happens.)

Last night, while wrapping up some brand new designs, cleaning inventory, and organizing my set-up, I got a touch of panic in the “I don’t have enough to show, I don’t have something for that one person” area.  I start thinking about the girl who loves that one pair of earrings with the blue fuzzy beads, but she’s more of a pink person.  I have pink fuzzy beads at home!  Why didn’t I make those, too?!  Not knowing my exact audience adds to the stress of preparation, but I must trust that I have my usual good sellers, favorite eye-catchers, and a few new designs to display, so I know I have something for at least a few of the shoppers.

Also, with any show, I usually feel like I’m forgetting something.  And I often do forget something, it’s just not often an important something.  Something like hand-sanitizer or tape.  I know about myself that I’m overly thorough, overly list-makey, and definitely overly thinkin’-about-it, so my chances of leaving important things at home are pretty low.  Just like when I leave on vacation, in the midst of the swirl I ask myself if I have the most important things: ID and access to money.  With show prep swirl I ask myself if I have a) inventory to sell, and b) pants on.  Anything else can be borrowed.

The show tonight, The WonderCraft Grand Opening: Come tie one on!, is sure to rock, though.  The ladies throwing the party, the vendors selling with me, and the sponsors of the evening all know what they’re doing, and they do it very well.  I’ll be back in the swing of vending within minutes, I know it.  Plus, there will be cake!

Photography by a Jewelry Maker

By Merritt Gade, February 16, 2010 1:42 pm

I was so nervous about taking my own pictures and having to learn Photoshop when I first started.  I had a talented friend (Hi, Roxanne!) take the majority of the tiara photos and Joe did quite a few of the first jewelry ones, but I knew I had to get comfortable with this new, no-hammers-involved craft if I wanted to improve my online activity.

Many resources recommend always using natural light, but our house has only two rooms that are bright enough for long enough.  One is the bathroom, which is wonderfully lit almost all day, but not exactly a place I want to work.  The other, luckily, is my work room.  I have a bench seat in the window, so there is light streaming in most of the day and I can leave things mid-shoot without them being in the way.  However, it’s not always sunny and I’m not always able to take photos when the light is the best.

My new homemade light box set-up is helping a lot with getting control of when I can take pictures.  I crafted the box from the white plastic back of an old IKEA bookcase and use two direct light sources in addition to the decent daylight and regular overhead lights.

I took these photos on a semi-clear day in the middle of two really gray weeks.  I was tired of wishing for the rain to stop (which also goes against my desire for a drought-free summer) and just took a bunch of pics with the hope that the box diffused the harsh lamp light enough.  It did.  Does.

These photos look dark, but that’s where the magic of Photoshop comes in.  If there’s enough light to begin with, manipulating levels can brighten the pics pretty easily.  Not too shabby.

Organic Earrings

By Merritt Gade, February 4, 2010 2:41 pm

These are one of my oldest designs and they’ve not changed much over the years.  If anything, I’ve only refined my system for making them, which is basically to craft five or so pairs at a time.  I love them because they are fun to make and each pair is different.  There’s a range of what they will turn out like, but no way to predict exactly.  The final product is always a surprise, unlike my other earring styles.

I save a pile of scrap wire for weeks and then spend an hour melting the ends with my tiny torch to make the varying ball ends.  This is a good way to reuse parts from jewelry and tiaras that I either didn’t like any longer or were damaged in some way.  Some times there are just mangled ends of spools of wire which is too hard to straighten.  Or, not worth it when I can just melt them into lovely lines for these Organics.  I usually stick to sterling silver only, because gold-filled wire doesn’t melt evenly.  However, the rare gold pair can be seen occasionally.

So, I love making these, but I don’t like the name.  They look like rain drops running down a window, but “runnel” or “rivulet” don’t exactly work either.  Sometimes I say Branches, but, eh, not too good either.  Any suggestions?

The Couch, How It Ended

By Merritt Gade, January 26, 2010 3:22 pm

It’s taken me as long to finish writing about The Couch as it did to make it.  Not really, but it has been a few months.  Here’s how it all went down…

Stripping: 10.5 hours; Easy, messy, fun for the first few hours; Important to remove every nail and staple to insure solid stapling later; Found coins from as far back as the 1950s, Doritos, stickers, and this dirty, eyeless Santa eraser

His home is on my monitor stand now.

Spring Tying: 2.5 hours; Very important in order to make the shape of the seat back perfect and solid

Arm Shaping: 6 hours; Necessary for modernizing the overall look; Made it up as I went along

(Black walnut sawhorses handmade by Dad)

Shims, 2x4s, nails, screws, glue, probably a little bit of blood

Felt & Burlap Layers: 2.5 hours; Creates stability between frame and foam; Easy and fun

Foam, Cotton, & Muslin Layers: 7.5 hours; Foam and cotton create the real body of the couch and must be done with the exact results in mind; Muslin help smooths everything like a corset; Drew with chalk and sharpies to get the staple and piping lines symmetrical and in the right places

Against the far wall of a 2-car garage, zoomed all the way, and the couch still doesn't fit!

Sharpie Magic!

Fabric Cutting: 2 hours; This is only counting the actual cutting of each piece; Not counted are the hours where I laid the fabric out, measured, thought, planned, measured again before ever getting to the cutting

Welt Cord: 2 hours; Just sewing the yards and yards of piping to go around the yards and yards of sofa

Fabric Application: 15.5 hours; I sewed 3 pieces together with piping in between for the seat, 3 similar for the seat back, and another 3 for the outside back; Keeping the pieces as straight and pucker-free as possible was crucial because everything shows up in the finished product; These 3-piece panels weighed about two tons and were like wrestling an anaconda; Stuffing the fabric between the seat and the seat back made me cry once and fear the possibility of breaking bones due to the tight fit of all parts; Glue is used in two places; The arms are my proudest accomplishment; Fabric app was definitely the hardest part

Excellent color choice!

Excellent stapling skills!

The last of the hard stuff.

Finishing: 2.5 hours; Dust cover application met with a huge sigh of relief and disbelief that I was actually done; Scrubbed the brass of the feet to a shine; Stood the monster upright, climbed up on it for a rest, and then looked at it every day until delivery

And the final product in its new home.  So pretty, so cool, so glad I’m done.

Note the pillow made from The Couch's previous hide.

Now vs. Then

By Merritt Gade, January 20, 2010 2:37 pm

I started out on this full-time hand-making venture in early January 2009.  To say that I’ve learned a lot in the last year would be an understatement.  A sum-up seems appropriate.

What do I make? I still make jewelry, but have pared down my offerings a ton.  Earrings have become the line I make the most.  At the beginning, I thought it was important to experiment with a lot of varying styles and beads and attempt to mimic what I was seeing out there.  The experimentation was important, it’s just that some stuff came out looking pretty generic and I had a hard time getting excited about it.  I now really only make designs that I know for sure I’ve not seen anywhere else and that seem to get the best attention.  I also found colorful art wire and use it in so many ways I never would have thought of a year ago.  I continue with tiaras and hair picks, too, and have taken those in a pleasant, original direction I’m excited to explore in the months ahead.

Where do I sell? At the start of 2009, I had been in one show and made two Etsy sales.  I now have my goods in six stores, have sold a bit more on Etsy, and have had a long and thorough crash course in face-to-face selling.  Getting into stores is incredibly challenging and my natural shyness made me sick to my stomach for the first dozen or so tries.  I don’t walk right in with total confidence now, but I don’t have to circle the block so much either.  I remind myself that no one is ever mean to your face, even if they laugh when you leave.  Most of the places I sell are actually fun to visit now because the folks I meet with are supportive and always seem genuinely glad to get new inventory.

Etsy is also tough and, while I feel like I learn more each month, I think it’s just a hard nut to crack.  Doing everything every successful seller recommends may still result in nothing.  Or very little.  I’m always working on my shop, though, so I haven’t given up.  I can photograph and edit my own work now, too, which feels great.

Face-to-face shows were one notch below cold-calling a store in the realm of things that made me queasy, but this where I feel I’ve really grown the most.  I was incredibly nervous at the first couple of shows and didn’t really speak to anyone.  My display technique was to just lay everything out on the table.  Neatly, but still, not that great.  I continue to tweak my displays because people are funny when it comes to looking versus shopping, and I want to help them shop as much as I can.  Having a nice looking set-up helps with confidence immensely.  And I actually enjoy talking to customers now, which is definitely something Me of ’08 would have raised an eyebrow at, and I can do it without sounding like a schmucky used car salesman.

How do I keep track? I adore (yes, adore) spreadsheets and lists.  My spreadsheets have gotten more detailed and specific where needed, and have helped me be less afraid of taxes, better at pricing my work, able to see when a new show is too risky, etc.  Going over them for taxes last week was a trip down memory lane, for sure.  Anyone remember that show at the Hyatt?  Hottest day on a shadeless patio.  I keep track of everything on spreadsheets so well that my tax lady said I don’t need any sort of fancy software for businesses.  I am my own Quicken.

My lists have evolved a lot.  I have a weekly “do this on this day” schedule where I assign two main things that have to get done each day of the week.  I add tasks to a general list for the next week during the current week and then assign each task to a day on Sunday night.  It leaves room for surprises, moods, and external factors like weather and naughty dogs.  I almost always get everything done and I can sleep well each night knowing what I’m supposed to do the next day and over the few next weeks.

I also keep a long running “Brain/Hand” list.  “Brain” is one half of the page where I list business tracking, phone calls, blogging, and other non-making things.  “Hand” is where I make, photograph, tag, clean, and the like.  It’s always a couple pages, with most immediate needs on the first page, next urgent on the next page, and can-be-a-bit-later on the last.  It prioritizes itself, really.  At the end of every day, I’ve written everything I did, what times I started and stopped, how much money may have been collected, highlighted mileage driven, and even noted fun stuff like going to the movies, on my big desk calendar.  I can throw away my smaller, working lists when they’re complete knowing that I’m on top of it all.  Keeps my desk and psyche neater.

Who do I work with? Usually, it’s just me and the dog on weekdays.  Joe is “in the office” some days and most evenings, and we do a pretty good job of not distracting each other.  It took me a while to not go into his office every time I had a thought or was bored or stumped.  We still like each other, so that slight worry from a year ago is gone.

In addition to the shop owners and operators I’ve been working with, I have also joined a couple of groups of makers, sellers, and business owners.  I never thought I would even like this, but it turns out I LOVE it.  It really helpsto have so much experience, diversity, and support from people who are doing what I’m doing.  They get it.  I have met many really wonderful and talented people, all of whom want to share information and encouragement.

As always, I can count on certain family and friends for different feedback or advice when I need trustworthy facts from people who know me well.  They get me.

What else? My neck and right shoulder have pained me since about 9th grade, always worse during more stress or longer hours at a desk.  Delightedly, I have almost tamed the hurting, something I wasn’t totally sure would happen.  It was a theory and now it is proven, I’m not meant to work at a desk all day or under conditions that make me carry stress around.

Also, I tend to like more people more often these days, instead of wanting to crawl in a cave at the end of any social experience.  I had feared I might get weird being alone so much the time, but I have found I feel normal being by myself so much and can actually look forward to interacting with others.

Long post short, I’m sticking with hand-making fine things and am optimistic about learning and improving and moving forward into year two.

Thanks, Mom!

By Merritt Gade, December 1, 2009 4:42 pm

So for no reason other than she loves me and was thinking of me, my Mom sent me a box of boxes!  Little, clear-topped boxes, just the right size for beads and bits, that come in their own well-fitting bigger box to keep them tidy.  I usually keep my general, constantly rotating bead collection in one of a few large, plastic tool parts containers.  These work fine for grouping the many types of beads together and keeping myself mostly organized, but they are also kind of big and when the lid is open, they’re all ready to be accidentally dumped and then cried upon.  Usually in those bigger containers, I see a set of beads that I keep forgetting to use and either store them in my head on a list that’s never really accurate, or I put one or two on my work bench so I can think about what to do with them later.  Even when I know what to do with them, they may sit there in the way for many days and sometimes weeks.  Now, I have the perfect place to “brainstorm” ideas and hang on to combinations that I like that will get made when I’m good and ready.  Here is one set of my new toy in action…

Tiny boxes o' beads

Panorama Theme by Themocracy